{"title":"BOOKS","description":"\u003cp\u003eShop art, photography, fashion, and design titles from Super Labo, Mack Books, Dashwood, and vintage out-of-print titles from Europe and Japan. Free shipping on domestic orders of $150 or more. \u003c\/p\u003e","products":[{"product_id":"kenta-nakamura-ginga-wo-umeru-release-into-the-galaxy","title":"KENTA NAKAMURA - GINGA WO UMERU (RELEASE INTO THE GALAXY)","description":"\u003cp class=\"txtEssay\" data-mce-fragment=\"1\"\u003eKenta Nakamura's first photo book.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"txtEssay\" data-mce-fragment=\"1\"\u003eThe photographs he has taken up to now are reconstructed under the theme of \"liberation from the concept of time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSoftcover\u003c\/li\u003e\n\u003cli\u003eOffset Printing\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e216 x 300mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e136 pages\u003c\/li\u003e\n\u003cli\u003eSelf-published\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":40422948733010,"sku":"NAKAMURA-GALAXY","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/NAKAMURA_03.jpg?v=1714604192"},{"product_id":"alessandra-sanguinetti-on-the-sixth-day","title":"ALESSANDRA SANGUINETTI - ON THE SIXTH DAY","description":"\u003cp\u003eAlessandra Sanguinetti’s \u003cem\u003eOn the Sixth Day\u003c\/em\u003e offers us a glimpse of life on a small Argentine farm from the perspective of its animals. Often photographed close to the earth, the images render the courage, struggles, and adventures of chickens, pigs, horses, and cows. We see them newly born, at play, vying with each other for food, their fate always uncertain as human presences inevitably loom above. With their rich, almost surreal colour, these photographs evoke traditional fables or classic children’s books in which animals enact human behaviours to teach moral lessons. Yet Sanguinetti portrays these animals as individuals in their own right, each with their own mysterious spirit, relating their lives from birth to death with an unsentimental and direct gaze.\u003c\/p\u003e\n\u003cp\u003eFirst published in 2005 and now out of print, this new and expanded edition of \u003cem\u003eOn the Sixth Day\u003c\/em\u003e includes additional unseen images.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages, 300 x 320 mm\u003c\/li\u003e\n\u003cli\u003eEmbossed buckram hardcover with tipped-in image\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":40983376003154,"sku":"SANGUINETTI-SIXTH","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/SANGUINETTI-SIXTH-1.jpg?v=1744149463"},{"product_id":"alison-peter-smithson-upper-lawn-solar-pavilion","title":"ALISON \u0026 PETER SMITHSON - UPPER LAWN, SOLAR PAVILION","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp class=\"p1\"\u003eIn 1958, the architects Alison and Peter Smithson bought a derelict cottage on the Fonthill Estate in Wiltshire, southwest England. Over the next four years they transformed it into a country home for their young family and an extended experiment in the methods and materials that would shape their practice; a pavilion drawing on the tradition of the English folly, known as Upper Lawn or the Solar Pavilion. Retaining the cottage’s original stone walls and one of its chimneys, the Smithsons built what they described as ‘a simple climate house’: two open floors looking over the hills and valleys of Fonthill, where life could be lived simply and in consonance with the fluctuations of weather and seasons. The innovations developed in this private and modest home would feed into large-scale projects, such as Robin Hood Gardens housing estate, for which the Smithsons would become renowned.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive. Together, these documents describe the building’s lived life, picturing it as a ledger of wear and use, a means of private and professional exploration, and a lens onto the passage of time inside and outside its walls.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book places Upper Lawn at the heart of the Smithsons’ practice, revealing its own quiet philosophy and ethics of architecture. This new book has been edited in collaboration with the Smithson Family Collection and includes an introductory essay by Paul Clarke, Professor of Architectural Design at the Belfast School of Architecture.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e144 pages, 300 x 210 mm \u003c\/li\u003e\n\u003cli class=\"p1\"\u003eOTA bound paperback\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePublished by Mack Books\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":40983378362450,"sku":"SMITHSON-UPPER","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/SMITHSON-UPPER-1.jpg?v=1744149464"},{"product_id":"brett-lloyd-candyland","title":"BRETT LLOYD - CANDYLAND","description":"\u003cp\u003eBrett Lloyd’s tribute to his friend and mentor, the photographer David Armstrong, whom he lived with along with a group of young artists in Armstrong’s brownstone they named Candyland in Bed Stuy, Brooklyn in the early 2010s.\u003c\/p\u003e\n\u003cp\u003e\"Waking up in Candyland was comparable to waking up from a dream you were not quite sure you were out of. The cabinet of dolls heads at the foot of the stairs when you went to bed had now climbed up three flights during the night. The shop mannequin that greeted guests by the front door was now positioned directly outside your bedroom. A Billie Holiday record that had been started at some point during the night was now skipping repeatedly somewhere in one of the rooms, it didn’t seem to be bothering anyone. The house stirred in the night. \u003c\/p\u003e\n\u003cp\u003eHis gracious encouragement towards me and other young people who he provided a home for was as valuable a gesture as the house itself.\" - BL\u003c\/p\u003e\n\u003cp\u003eEssay “David Armstrong’s Candyland” by Brett Lloyd\u003cbr\u003eDesign by Martha Naranjo Sandoval.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6.1875 x 8.25 in.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e108 pp\u003c\/li\u003e\n\u003cli\u003esoftcover\u003c\/li\u003e\n\u003cli\u003ePublished: 2023\u003c\/li\u003e\n\u003cli\u003ePublisher: Dashwood Books\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":41146472661074,"sku":"LLOYD-CANDYLAND","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/LLOYD-CANDYLAND-01.jpg?v=1745950576"},{"product_id":"horoh-kikai-asakusa-portraits","title":"HIROH KIKAI - ASAKUSA PORTRAITS","description":"\u003cp\u003ePublished by ICP and Steidl, Hiroh Kikai's \u003cem\u003eAsakusa Portraits\u003c\/em\u003e contains a selection of the 600 images Kikai has taken since 1973. Including an introduction by Christpoher Philips and essay by cultural historian Hiromichi Hosoma, \u003cem\u003eAsakusa Portraits\u003c\/em\u003e brilliantly captures Kikia's on going project, capturing individuals in and amongst the crowds of people who congregate and wander the Asakusa area. Working with a handheld Hasselblad and using only natural light, Kikai spends no more than ten mintues which each subject, capturing their body language, attire and entire physical expression throughout the brief encounter. Here Kikai's approach and interest within humanity and its universal attributes are explored. Using only the vermilion walls of Asakusa's Senjoji Temple as a backdrop, Kikai captures the very essence of each sitter within his photographs. Present within each portrait is the eveyday man and woman taking on the leading role, none similar to the next but all sharing the commonality of being singularly unique individuals.\u003c\/p\u003e\n\u003cp\u003eRead Citations, Edition 3: Hiroh Kikai - Asakusa Portraits \u003ca href=\"https:\/\/ladywhiteco.live\/pages\/citations\/citations-ed-3-hiroh-kikais-asakusa-portraits\" title=\"Citations Edition 3: Hiroh Kikai's Asakusa Portraits\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst edition\u003c\/li\u003e\n\u003cli\u003eHardcover\u003c\/li\u003e\n\u003cli\u003eIntroduction by Christopher Phillips\u003c\/li\u003e\n\u003cli\u003eInterview by Noriko Fuku with Hiroh Kikai\u003c\/li\u003e\n\u003cli\u003eText by Hiroh Kikai\u003c\/li\u003e\n\u003cli\u003e277 x 230 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e264 pages\u003c\/li\u003e\n\u003cli\u003ePublished by ICP\/Steidl, 2008\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: Like new\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":41146480459858,"sku":"HIROH-ASAKUSA","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/HIROH-KIKAI-ASAKUSA-PORTRAITS-01-COVER-a.jpg?v=1749668820"},{"product_id":"donald-judd-furniture","title":"DONALD JUDD - DONALD JUDD FURNITURE","description":"\u003cp\u003e\u003cem\u003eThe art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness, and scale as a chair.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eDonald Judd Furniture\u003c\/em\u003e includes more than one hundred pieces of his furniture, spanning 1970 to 1991, designed for his living and working spaces at 101 Spring Street and in Presidio County, Texas. \u003c\/span\u003e\u003cspan\u003eThe publication introduces readers to Donald Judd’s furniture designs, initiated during the renovation of his home and studio at 101 Spring Street in New York, and as the result of the difficulty Judd later had in furnishing his home in Marfa, Texas. These furniture designs exemplify the directness of form and presence for which his artworks are celebrated, as well as offering a distinct and unadorned functionality. In this book they are presented through detailed drawings and breakdowns of materials, and color photography exploring their placement and function within these spaces. As well as surveying a central aspect of his work, \u003cem\u003eDonald Judd Furniture\u003c\/em\u003e details Judd’s understanding of functionality, form, and his deep interest in the possibilities of design in a world of mass-production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexibound hardcover housed in an embossed black sleeve\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e229 x 152 mm\u003c\/li\u003e\n\u003cli\u003e448 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003cli\u003eCo-published with Judd Foundation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":41259144446034,"sku":"JUDD-FURNITURE","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/JUDD-FURNITURE-01a.jpg?v=1744149469"},{"product_id":"felipe-romero-beltran-bravo","title":"FELIPE ROMERO BELTRÁN  - BRAVO","description":"\u003cdiv class=\"product__description\"\u003e\n\u003cdiv class=\"product__description__inner\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eBravo\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003esituates itself in the liminal space of the Rio Bravo, a site of perpetual tension and migration where identity and geography intersect. \u003c\/span\u003e\u003cspan\u003eFocusing on a 270-kilometre stretch of the river, Romero Beltrán’s \u003cem\u003eBravo \u003c\/em\u003econstructs an elusive visual narrative where the river itself becomes a silent protagonist, shaping the lives of those who approach it but rarely appearing in the frame. Through stark portraits, austere interiors, and scarred landscapes, Bravo captures the suspended time of migration as his subjects wait, sometimes for years, in the shadow of an uncertain crossing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRomero Beltrán's signature style is precise in the pursuit of a political reality, where meticulously produced portraiture both reveals and conceals the resilience, exhaustion and hope of the migrant experience, alongside the muted delicacy of Romero Beltrán's interiors, where a speaker, a mattress, a red-painted table become loaded with symbolic weight. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDivided into three chapters—\u003cem\u003eEndings\u003c\/em\u003e, \u003cem\u003eBodies\u003c\/em\u003e, and \u003cem\u003eBreaches\u003c\/em\u003e—Romero Beltrán’s inscrutable documentary approach challenges the semiotics of classification, enclosure, definition, and identification in his visual aesthetics that mirror the suppressed and controlled notions of identity at the border. \u003c\/span\u003e\u003cspan\u003eAlso included within \u003cem\u003eBravo\u003c\/em\u003e is \u003c\/span\u003e\u003cem\u003eEl Cruce\u003c\/em\u003e\u003cspan\u003e, an audiovisual work that underscores the river’s dual role as a life source and militarized boundary through scenes of baptism, fishing, and migrant stories. With accompanying texts by Salvadoran migrant Dominick Bermúdez, thinker Albert Corbí, and artist Alejandra Aragón, as well as an interview with the artist, \u003cem\u003eBravo\u003c\/em\u003e is an urgent and poetic meditation on a border defined by contradictions—where hope, despair, movement, and stillness converge. \u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eBinding: Section-sewn debossed hardcover with tip-on\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: New\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cspan\u003e240 x 295mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e168 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e61 color plates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePublisher: Loose Joints, 2025\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":41984505446482,"sku":"BELTRAN-BRAVO","price":72.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/FELIPE-ROMERO-BELTRAN-BRAVO-01.jpg?v=1746650881"},{"product_id":"sean-vegezzi-snow-cab","title":"Sean Vegezzi - Snow Cab","description":"\u003cp\u003e\u003cem\u003eSnow Cab\u003c\/em\u003e catalogues an eponymous installation of works by Sean Vegezzi made between 15 and 22 November 2016. Installed within a vacated retail unit in Lower Manhattan, the works of \u003cem\u003eSnow Cab\u003c\/em\u003e actively blend and respond to the inert postconsumer space they inhabit, a space in which subsequent to their exhibition the works were left, in situ.\u003c\/p\u003e\n\u003cp\u003eVegezzi’s practice explores the blending of the individual with narratives of privacy, security and visibility within the American military-industrial complex. A departure from prior works, \u003cem\u003eSnow Cab\u003c\/em\u003e evolved as an immediate, frenzied and searching response following the Paris terror attacks of November 2015. Moving through the documentation of the exhibition we find t-shirts, sweeping compound, statues, core samples, Cold War rations, wildlife and more, repurposed and reappropriated for display amongst images and texts.\u003c\/p\u003e\n\u003cp\u003eIn the two accompanying texts to the exhibition, one of which was distributed to all exhibition visitors as a printed booklet, we find an interweaving of Vegezzi’s ongoing research into the security industry with personal experiences of love and terror. Many of the works we see are a series of gestures that both intervene in and undermine Vegezzi’s immediate environment of Manhattan. In one work, a black plexiglass panel has been cracked along its top edge, voiding its former purpose of stopping any light from entering the retail space. It balances delicately with a pixelated image of a blue sky, taken from the empty training headquarters of a prominent insurance company. Elsewhere, the vibrant red of an industrial sweeping compound used to eliminate dust sits within household plant pots.\u003c\/p\u003e\n\u003cp\u003eThese materials, used to control the flows of nature on an elementary level are reconfigured - modifying or corrupting the synthetic materiality of urban space and resembling the aftermath of some unforeseen event. As a piece of work that directly responds to the Paris Attacks, \u003cem\u003eSnow Cab\u003c\/em\u003e also traces and attempts to emulate material production as sympathetic evidence of experience in the wake of an event. This is evident in objects presented throughout the show and detailed in Vegezzi’s texts, but is most apparent in a collection of t-shirts that were hung up for display - depicting vilified terrorists, the 1993 World Trade Center bombing, a Pray for Paris slogan and hand-made shirts referencing waterboarding. In the re-framing of these items of clothing, Vegezzi highlights the notion of merchandise and profit from geopolitical terror, while also delicately articulating the human and vulnerable within our reactions and experiences of a modern, managed world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBinding: Laminated softcover with flaps\u003c\/li\u003e\n\u003cli\u003eCondition: New\u003c\/li\u003e\n\u003cli\u003eSize: 175 x 220mm\u003c\/li\u003e\n\u003cli\u003e88 pages \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e47 color plates\u003c\/li\u003e\n\u003cli\u003ePublisher: Loose Joints, 2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":41984524812370,"sku":"VEGEZZI-SNOW","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/VEGEZZI-SNOWCAB-01.jpg?v=1741894433"},{"product_id":"ari-marcopoulos-sumo-judo","title":"Ari Marcopoulos - Sumo Judo","description":"\u003cp\u003ePhotographs by Ari Marcopoulos of Sumo wrestlers at the Kokonoe Stable in Tokyo in 2013 paired with Judo students photographed in 2023 at the Kyoto University Gymnasium.\u003c\/p\u003e\n\u003cp\u003e“As an artist most renowned for his pictures of graffiti and skateboarding, in which he brings a sensitivity and skill that parallels the visual flair and technical ingenuity of these pursuits, Ari Marcopoulos has been especially drawn to photogenic subjects, which is to say subjects that in one way or another preconceive — or to invoke a categorically photographic term, previsualize — the possibility of their being photographed. This aspect of Marcopoulos’s practice is most apparent in his sustained engagement with the genre of portraiture, where he has recorded the working lives of people who in one way or another exist in the public eye, whether they are artists, musicians, or those who perform what Eugène Atget would have called the “petits métiers” or small jobs of the modern world. Marcopoulos’s photogenic perspicacity is apparent in the series of portraits in this book which were made during two trips to Tokyo and Kyoto in 2013 and 2023 respectively. (Marcopoulos has been a frequent traveler to Japan since the 1990s.) Despite the sitters’ youth and the informality of the situation in which they are photographed, each figure meets the camera’s gaze with a sense of self-assurance and openness that reflects the quickly gained trust between the photographer and subject and, more generally, a familiarity with being viewed common to athletes and performers. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJust as both judo and sumo wrestling involve the strategic transfer of energy from one person to another, Ari Marcopoulos’s photographs exhibit a similar reciprocal dynamic, a generous understanding of creativity and technique in which the distinction between practicing and performance is not important and vision, intelligence, and skill can be found far beyond conventional boundaries policed by words like art or even image. \"\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBinding: Softcover\u003c\/li\u003e\n\u003cli\u003eCondition: As New\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSize: 6 x 8 in.\u003c\/li\u003e\n\u003cli\u003e64 pages\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher: Dashwood Books \/ Roma Publications, 2024\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":41985577812050,"sku":"MARCOPOULOS-SUMO","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/MARCOPOUS-SUMO-01.jpg?v=1741821909"},{"product_id":"c-fausto-cabrera-alec-soth-the-parameters-of-our-cage","title":"C. 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In amongst their exchanges of personal histories and shared influences – from Ralph Ellison’s \u003cem\u003eThe Invisible Man\u003c\/em\u003e and André 3000 to Robert Frank’s \u003cem\u003eThe Americans\u003c\/em\u003e and Rilke’s \u003cem\u003eLetters to a Young Poet\u003c\/em\u003e – developed a searing investigation of the redemptive power of art and the imagination, justice and accountability, life inside America’s prisons, and the astonishing capacity of empathy and curiosity to bring two people together. \u003c\/p\u003e\n\u003cp\u003eIn December 2023, a board led by the Minnesota Governor voted unanimously for the commutation of Cabrera’s sentence. 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